<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/' xmlns:georss='http://www.georss.org/georss' xmlns:gd='http://schemas.google.com/g/2005' xmlns:thr='http://purl.org/syndication/thread/1.0'><id>tag:blogger.com,1999:blog-30935851</id><updated>2011-09-30T16:50:46.631-04:00</updated><category term='Mick Garris'/><category term='galaxy'/><category term='jazz'/><category term='magazine'/><category term='photography'/><category term='books'/><category term='France'/><category term='games'/><category term='documentary'/><category term='mannerism'/><category term='London'/><category term='Order of Myths'/><category term='ellipsis'/><category term='fashion'/><category term='horror'/><category term='print'/><category term='1980s'/><category term='1970s'/><category term='Sabu'/><category term='Obama'/><category term='film'/><category term='Jacques Tati'/><category term='architecture'/><category term='album covers'/><category term='President'/><category term='John Carpenter'/><category term='painting'/><title type='text'>(Visual) Notes on Culture</title><subtitle type='html'>Personal news and "found" images.</subtitle><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/posts/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default?max-results=100'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/'/><link rel='hub' href='http://pubsubhubbub.appspot.com/'/><link rel='next' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default?start-index=101&amp;max-results=100'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>114</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>100</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-30935851.post-4085055957185336061</id><published>2009-06-02T17:18:00.001-04:00</published><updated>2009-06-02T17:22:25.110-04:00</updated><title type='text'>GALAXY, APRIL 1955</title><summary type='text'>Bloody ray-gun!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/4085055957185336061/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=4085055957185336061' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4085055957185336061'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4085055957185336061'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/06/galaxy-april-1955.html' title='GALAXY, APRIL 1955'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/SiWXnPq9d-I/AAAAAAAAALQ/ANuoZHaTJSo/s72-c/scan0041.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2267566221812043163</id><published>2009-05-26T19:42:00.002-04:00</published><updated>2009-05-26T19:46:04.187-04:00</updated><title type='text'>Beckmann's Gotterdammerung</title><summary type='text'>Max Beckmann, Paris Society, 1931.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2267566221812043163/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2267566221812043163' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2267566221812043163'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2267566221812043163'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/05/beckmanns-gotterdammerung.html' title='Beckmann&apos;s Gotterdammerung'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/Shx-mmDg-sI/AAAAAAAAALE/8gznkAko9mk/s72-c/maxbeckmannparty.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6298109456163909793</id><published>2009-04-27T16:49:00.000-04:00</published><updated>2009-04-27T16:52:20.964-04:00</updated><title type='text'>POWER PLAYER</title><summary type='text'>Promo ad from Kemco Seika.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6298109456163909793/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6298109456163909793' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6298109456163909793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6298109456163909793'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/04/power-player.html' title='POWER PLAYER'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/__WLBUkfIPQ0/SfYa2zByrLI/AAAAAAAAAK8/6fX5wT0kBzk/s72-c/powerplayer.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6966375927816669044</id><published>2009-04-23T18:03:00.002-04:00</published><updated>2009-04-23T18:07:22.318-04:00</updated><title type='text'>Big Ben via the London Eye</title><summary type='text'>Big Ben, as seen through the London Eye.  For a cultural assessment, see Jonathan Glancey's London: Bread and Circuses (Verso, 2001).</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6966375927816669044/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6966375927816669044' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6966375927816669044'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6966375927816669044'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/04/big-ben-via-london-eye.html' title='Big Ben via the London Eye'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/__WLBUkfIPQ0/SfDl0ughSXI/AAAAAAAAAK0/5KzX28iBWPc/s72-c/bigbenlondoneye.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-8021370540789704296</id><published>2009-04-13T01:20:00.001-04:00</published><updated>2009-04-13T01:22:42.875-04:00</updated><title type='text'>GALAXY, 08/1968</title><summary type='text'>Dig the 1960s utopianism.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/8021370540789704296/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=8021370540789704296' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8021370540789704296'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8021370540789704296'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/04/galaxy-081968.html' title='GALAXY, 08/1968'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SeLMC1bLWxI/AAAAAAAAAKk/DFbAvPA8RuU/s72-c/scan0040.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1730033444590816159</id><published>2009-03-29T23:50:00.002-04:00</published><updated>2009-03-29T23:54:13.195-04:00</updated><title type='text'>Gallic Costumes, Late 17th Century til World War I</title><summary type='text'>French Styles of Dress, from the late 17th century until the early 1900s.  From the Larousse Universel.  (Click for detail).</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1730033444590816159/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1730033444590816159' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1730033444590816159'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1730033444590816159'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/03/gallic-costumes-late-17th-century-til.html' title='Gallic Costumes, Late 17th Century til World War I'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SdBB8vra0kI/AAAAAAAAAKc/p1kDrW5loyg/s72-c/costumes2.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-3579332449414508791</id><published>2009-03-16T20:24:00.003-04:00</published><updated>2009-03-16T20:30:39.996-04:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='France'/><category scheme='http://www.blogger.com/atom/ns#' term='fashion'/><category scheme='http://www.blogger.com/atom/ns#' term='print'/><title type='text'>Gallic Costumes, from Charlemagne to Louis XIII</title><summary type='text'>French Styles of Dress, from the Middle Ages to Louis XIII.  From the Larousse Universel.  (Click for detail).  Stay tuned for Part II!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/3579332449414508791/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=3579332449414508791' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3579332449414508791'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3579332449414508791'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/03/gallic-costumes-from-charlemagne-to.html' title='Gallic Costumes, from Charlemagne to Louis XIII'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/__WLBUkfIPQ0/Sb7uig1F8EI/AAAAAAAAAKU/QB-QXj_sWxc/s72-c/costumes1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-4955387905061046146</id><published>2009-02-26T18:32:00.000-05:00</published><updated>2009-02-26T18:34:08.002-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='documentary'/><category scheme='http://www.blogger.com/atom/ns#' term='Order of Myths'/><category scheme='http://www.blogger.com/atom/ns#' term='film'/><title type='text'>THE ORDER OF MYTHS</title><summary type='text'></summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/4955387905061046146/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=4955387905061046146' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4955387905061046146'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4955387905061046146'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/02/order-of-myths.html' title='THE ORDER OF MYTHS'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/__WLBUkfIPQ0/Sacmzho8rVI/AAAAAAAAAKE/kGPdQCqXP6A/s72-c/orderofmyths.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6297562609735977737</id><published>2009-02-18T21:40:00.006-05:00</published><updated>2009-02-18T21:55:58.660-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='ellipsis'/><category scheme='http://www.blogger.com/atom/ns#' term='books'/><title type='text'>HISTORY OF ARCHITECTURE - Unused Covers</title><summary type='text'>So back in the early days of this blog, I drew attention to a book that concluded what would havebeen a 25 volume history of architecture.  It appeared that publisher Ellipsis books, one of the most interesting presses for titles on architecture, was bought up by Batsford (later part of the Anova group, if memory serves).  The series ceased publication.  Tadgell eventually resumed his history of </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6297562609735977737/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6297562609735977737' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6297562609735977737'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6297562609735977737'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/02/so-back-in-early-days-of-this-blog-i.html' title='HISTORY OF ARCHITECTURE - Unused Covers'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/__WLBUkfIPQ0/SZzHZstRIKI/AAAAAAAAAJs/66yn_ux2RtI/s72-c/11latermed.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-4600248980723196307</id><published>2009-02-13T22:30:00.001-05:00</published><updated>2009-02-13T22:32:30.402-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='John Carpenter'/><category scheme='http://www.blogger.com/atom/ns#' term='film'/><title type='text'>MOH - John Carpenter</title><summary type='text'>The mighty John Carpenter.  His film Cigarette Burns is arguably the best of the Masters of Horror series.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/4600248980723196307/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=4600248980723196307' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4600248980723196307'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4600248980723196307'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/02/moh-john-carpenter.html' title='MOH - John Carpenter'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/__WLBUkfIPQ0/SZY7FCTT2CI/AAAAAAAAAJM/C-6rG7k0ZJ8/s72-c/carpenter.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-8448010958429621334</id><published>2009-02-06T18:28:00.001-05:00</published><updated>2009-02-06T18:30:13.630-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='galaxy'/><category scheme='http://www.blogger.com/atom/ns#' term='1970s'/><category scheme='http://www.blogger.com/atom/ns#' term='magazine'/><title type='text'>Galaxy, 02/1970</title><summary type='text'>Galaxy Magazine, Feb. 1970</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/8448010958429621334/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=8448010958429621334' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8448010958429621334'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8448010958429621334'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/02/galaxy-021970.html' title='Galaxy, 02/1970'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/SYzHyYFRktI/AAAAAAAAAJE/Yfj_Qe0p9Lo/s72-c/galaxy021970.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2209762144333565521</id><published>2009-02-01T16:09:00.002-05:00</published><updated>2009-02-01T16:17:58.354-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='album covers'/><title type='text'>Cal Tjader - EXTREMES</title><summary type='text'>Comp. CD of some of vibraphonist Tjader's earliest music and latest music.  So good, it wins the coveted distinction of ALL KILLER, NO FILLER.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2209762144333565521/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2209762144333565521' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2209762144333565521'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2209762144333565521'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/02/cal-tjader-extremes.html' title='Cal Tjader - EXTREMES'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SYYP8KqidpI/AAAAAAAAAI8/_aBCXYrl-b4/s72-c/tjaderextremes.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7430503326098733542</id><published>2009-01-30T23:12:00.005-05:00</published><updated>2009-01-30T23:22:42.426-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='1970s'/><category scheme='http://www.blogger.com/atom/ns#' term='painting'/><title type='text'>David Hockney - Mr. and Mrs. Clark and Percy</title><summary type='text'>David Hockney - Mr. and Mrs. Clark and Percy, 1971</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7430503326098733542/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7430503326098733542' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7430503326098733542'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7430503326098733542'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/david-hockney-mr-and-mrs-clark-and.html' title='David Hockney - Mr. and Mrs. Clark and Percy'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/__WLBUkfIPQ0/SYPQKQCPyYI/AAAAAAAAAI0/FdAL7Jr8efU/s72-c/hockneyclarkandpercy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-8052948753968419082</id><published>2009-01-28T21:22:00.002-05:00</published><updated>2009-01-28T21:25:04.071-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='games'/><category scheme='http://www.blogger.com/atom/ns#' term='1980s'/><title type='text'>RENEGADE</title><summary type='text'>"2 AM is no time to be alone in the subway/And you're about to find out why."</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/8052948753968419082/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=8052948753968419082' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8052948753968419082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8052948753968419082'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/renegade.html' title='RENEGADE'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SYETLeCue2I/AAAAAAAAAIk/HU9qSGHzPSc/s72-c/renegadenes1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-158291241707621886</id><published>2009-01-25T11:25:00.001-05:00</published><updated>2009-01-25T11:27:24.944-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='photography'/><category scheme='http://www.blogger.com/atom/ns#' term='London'/><title type='text'>DRURY LANE</title><summary type='text'>Drury Lane in the 19th century.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/158291241707621886/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=158291241707621886' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/158291241707621886'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/158291241707621886'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/drury-lane.html' title='DRURY LANE'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SXySmZ_DktI/AAAAAAAAAIc/18gJHX8Qlf8/s72-c/drurylane.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2243686002562411712</id><published>2009-01-23T18:54:00.007-05:00</published><updated>2009-01-23T19:01:12.966-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='Mick Garris'/><category scheme='http://www.blogger.com/atom/ns#' term='film'/><category scheme='http://www.blogger.com/atom/ns#' term='horror'/><title type='text'>MOH: Mick Garris</title><summary type='text'>A trading card of film director Mick Garris, from the Anchor Bay/Starz line of Masters of Horror DVDS.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2243686002562411712/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2243686002562411712' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2243686002562411712'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2243686002562411712'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/moh-mick-garris.html' title='MOH: Mick Garris'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SXpZ7YM5xaI/AAAAAAAAAIU/BZKXW4w7PyY/s72-c/garris.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-3511140000867772206</id><published>2009-01-21T17:22:00.006-05:00</published><updated>2009-01-21T17:33:18.022-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='jazz'/><category scheme='http://www.blogger.com/atom/ns#' term='album covers'/><category scheme='http://www.blogger.com/atom/ns#' term='Sabu'/><title type='text'>SABU MARTINEZ</title><summary type='text'>From Sweden, with love.  Previously unknown recordings from the great Sabu Martinez, who, like so many great American musicians, was only fully appreciated in Europe.   Next item of interest: AFRO TEMPLE.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/3511140000867772206/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=3511140000867772206' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3511140000867772206'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3511140000867772206'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/sabu-martinez.html' title='SABU MARTINEZ'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/__WLBUkfIPQ0/SXegLjyWUBI/AAAAAAAAAH0/q661-3mHzSI/s72-c/sabuburned.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7439204549681505427</id><published>2009-01-20T01:13:00.003-05:00</published><updated>2009-01-20T01:16:09.110-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='President'/><category scheme='http://www.blogger.com/atom/ns#' term='Obama'/><title type='text'>#44</title><summary type='text'>Via Ropeadope, your source for soulful, funky music.  It is cold and wintry in North Carolina right now, but hearts are warm knowing that G.W.B. is doing the walk of shame.  Cheers, President!!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7439204549681505427/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7439204549681505427' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7439204549681505427'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7439204549681505427'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/44.html' title='#44'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SXVrslM5diI/AAAAAAAAAHs/0TPijFMRHAQ/s72-c/obamanext.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-9001784906906229331</id><published>2009-01-19T12:26:00.003-05:00</published><updated>2009-01-20T01:13:32.022-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='film'/><category scheme='http://www.blogger.com/atom/ns#' term='Jacques Tati'/><title type='text'>TRAFIC</title><summary type='text'>French poster of Jacques Tati's 1971 film Trafic, his modest follow-up to the financially ruinous but majestic Playtime (1967).  Incidentally, this poster is timely for anyone trying to attend President Obama's inauguration.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/9001784906906229331/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=9001784906906229331' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/9001784906906229331'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/9001784906906229331'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/trafic.html' title='TRAFIC'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SXS4iCTw7sI/AAAAAAAAAHk/nTDz-t6ITDk/s72-c/tatitrafic.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-5602986297691165195</id><published>2009-01-18T17:47:00.003-05:00</published><updated>2009-01-18T17:54:56.973-05:00</updated><category scheme='http://www.blogger.com/atom/ns#' term='architecture'/><category scheme='http://www.blogger.com/atom/ns#' term='mannerism'/><title type='text'>San Carlo Alle Quattro Fontane, for tourists</title><summary type='text'>A travel brochure, probably 40+ years old.  Bilingual (English and Italian) descriptions of Francesco Borromini's San Carlo Alle Quattro Fontane (commissioned mid 1630s), the poster-child of "Mannerist" (that is, "mannered," i.e., slightly bizarre) architecture.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/5602986297691165195/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=5602986297691165195' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5602986297691165195'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5602986297691165195'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/san-carlo-alle-quattro-fontane-for.html' title='San Carlo Alle Quattro Fontane, for tourists'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/SXOx93KOXkI/AAAAAAAAAHc/1X9KjNtS75c/s72-c/quatrofontane.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6628645779568404414</id><published>2009-01-18T17:04:00.003-05:00</published><updated>2009-01-18T17:19:44.997-05:00</updated><title type='text'>Format Change and More</title><summary type='text'>Since my recent blogging habits have been directed to Virtual Fools and the group blog at The Modest Proposal, this blog has seemed like a bit of dead weight.However, inspired by the wonder service of "If Charlie Parker Was a Gunslinger, There'd be a Whole Lot of Dead Copycats," I've decided to turn my notes on culture into notes on "visual" culture, namely impressive images that I come across.  </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6628645779568404414/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6628645779568404414' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6628645779568404414'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6628645779568404414'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2009/01/format-change-and-more.html' title='Format Change and More'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1610047306281961428</id><published>2008-08-29T18:38:00.003-04:00</published><updated>2009-01-11T21:32:33.575-05:00</updated><title type='text'>Recently Around the Net</title><summary type='text'>This blog has slowed down a lot as I have shifted my attentions elsewhere.  I will continue to post things that I would otherwise consider "uncategorizable" with my current endeavors, but have found outlets for most of my interests.I had two academic book reviews published over the last several months.  The first was over at the Irish Journal of Gothic and Horror Studies, a newish journal out of </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1610047306281961428/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1610047306281961428' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1610047306281961428'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1610047306281961428'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/08/recently-around-net.html' title='Recently Around the Net'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/SWqrt91FAWI/AAAAAAAAAHA/oUquok7eBIc/s72-c/ncmaxlogo.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-57406932901307365</id><published>2008-07-27T11:14:00.007-04:00</published><updated>2008-07-27T12:08:57.590-04:00</updated><title type='text'>NOTES ON ONE SONG: Donald Byrd's "Fancy Free"</title><summary type='text'>This blog has slowed considerably in lieu of catching up on other projects.  I hope to keep it a bit more heavily stocked in the weeks and months to come.  In the mean time, give it a "happy two years" nod and check out my latest efforts over at The Modest Proposal.Donald Byrd is one of the most famous trumpeters of the post-bop era.  Along with Woody Shaw and Miles Davis, he helped to define the</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/57406932901307365/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=57406932901307365' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/57406932901307365'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/57406932901307365'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/07/notes-on-one-song-donald-byrds-fancy.html' title='NOTES ON ONE SONG: Donald Byrd&apos;s &quot;Fancy Free&quot;'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/__WLBUkfIPQ0/SIyVtIRTLPI/AAAAAAAAAEw/avbcyiNsqUc/s72-c/dbfancy.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-746368885862193147</id><published>2008-06-18T23:48:00.002-04:00</published><updated>2008-06-19T00:43:34.247-04:00</updated><title type='text'>The Strangleholds of the American Film Industry</title><summary type='text'>Weird moments of clarity and perspective seem to come in pairs.  This week, I had two revelations about the American film industry, both prompted by failed attempts at either supporting it or condemning it.  These two interventions can loosely be categorized into angry/progressive and affirmative/conservative.  On the "Stuff White People Like" end of the spectrum (I use this in a very precise way</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/746368885862193147/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=746368885862193147' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/746368885862193147'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/746368885862193147'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/06/strangleholds-of-american-film-industry.html' title='The Strangleholds of the American Film Industry'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1586186167543544793</id><published>2008-05-26T18:34:00.002-04:00</published><updated>2008-05-26T18:58:15.896-04:00</updated><title type='text'>The Value of Life</title><summary type='text'>As I continue to fret over personal finances in a bid to a have quiet, stable, and hopefully somewhat relaxing summer, I stumble across two news items that put the value of life in conceptual dollars.  Marx would be appalled at how far along capitalism has come.  While he criticized the commodification of time (labor value and duration are directly exchanged for specific dollar amounts in a </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1586186167543544793/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1586186167543544793' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1586186167543544793'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1586186167543544793'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/05/value-of-life.html' title='The Value of Life'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-3524475384939932835</id><published>2008-05-18T15:28:00.003-04:00</published><updated>2008-05-23T18:01:20.287-04:00</updated><title type='text'>DVD Boxed Set Summer</title><summary type='text'>The school year is over and the summer is poised to start.  As a personal note, I will be living and working in Raleigh.  This time of year no longer has the eminently positive connotations that it used to have.  Even under the seasonal-academic lifestyle, there is always work to be done.  I am currently re-shaping an old essay on Alex Cox's Three Businessmen for an edited collection and continue</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/3524475384939932835/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=3524475384939932835' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3524475384939932835'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3524475384939932835'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/05/dvd-boxed-set-summer.html' title='DVD Boxed Set Summer'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-172574124415563817</id><published>2008-04-10T23:31:00.002-04:00</published><updated>2008-04-10T23:35:11.669-04:00</updated><title type='text'>Piece in FEEL THE WORD 'zine</title><summary type='text'>Just wanted to drop a note and say that I have an essay on "after school specials" (and four Martin Tahse films in particular) in the April edition of Feel The Word.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/172574124415563817/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=172574124415563817' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/172574124415563817'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/172574124415563817'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/04/piece-in-feel-word-zine.html' title='Piece in FEEL THE WORD &apos;zine'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/R_7cT6V9TkI/AAAAAAAAAEo/C1W5Aoav46A/s72-c/afterschool.bmp' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-880241355212800414</id><published>2008-04-07T18:38:00.004-04:00</published><updated>2008-04-08T02:20:48.742-04:00</updated><title type='text'>Eulogies</title><summary type='text'>I don't want to bring too much gravitas and sorrow to the internet (enough of that already), but it is worth pointing people toward a few recent death notices.  The popular urban myth is that celebrities die in "3s," but this recent wave, approximately over the last month, feels like a lot worse.Goodbye to Anthony Minghella, Arthur C. Clarke, Jules Dassin (and an associated actor, Richard Widmark</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/880241355212800414/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=880241355212800414' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/880241355212800414'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/880241355212800414'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/04/eulogies.html' title='Eulogies'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-5129003680227106228</id><published>2008-03-24T18:48:00.002-04:00</published><updated>2008-03-24T18:54:33.576-04:00</updated><title type='text'>THE HOUSE BETWEEN 2.7 - CAGED</title><summary type='text'> In the grand tradition of life-changing stories that take place all in one night (The Warriors, Tobe Hooper's The Funhouse, even something like Escape from New York) comes Joseph Maddrey's "Caged."  A dark episode from a dark season of a dark series, "Caged" plays with the usual condensations to time and space at the almost a-temporal "house at the end of the universe" in fascinating ways.  See </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/5129003680227106228/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=5129003680227106228' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5129003680227106228'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5129003680227106228'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/03/house-between-27-caged.html' title='THE HOUSE BETWEEN 2.7 - CAGED'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-5973593116151425154</id><published>2008-03-24T18:38:00.002-04:00</published><updated>2008-03-24T18:46:11.800-04:00</updated><title type='text'>THE HOUSE BETWEEN 2.6 - DISTRESSED</title><summary type='text'> This episode of THB, a kind of late-game addition, is in the tradition of mid-season bonus episodes that are more interested in character development and alternative situations than with the story ark as a whole.  You can read the sordid details of the production and why the thing came to be where it is here.  Spirits and a different approach to the beyond pepper this episode, shot under extreme</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/5973593116151425154/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=5973593116151425154' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5973593116151425154'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5973593116151425154'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/03/house-between-26-distressed.html' title='THE HOUSE BETWEEN 2.6 - DISTRESSED'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-5659477735631832774</id><published>2008-03-10T21:01:00.002-04:00</published><updated>2008-03-10T21:10:14.604-04:00</updated><title type='text'>THE HOUSE BETWEEN 2.5 - POPULATED</title><summary type='text'>Normal blogging duties will resume once I finish posting this season of The House Between.  This episode was conceived by Bobby Schweizer and features the closing thing that I can hope to have to a star turn (that is, a few lines).  Enjoy this episode, fashioned lovingly in the memory of the eco-sci-fi films of the 1970s, re-vamped for today.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/5659477735631832774/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=5659477735631832774' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5659477735631832774'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5659477735631832774'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/03/house-between-25-populated.html' title='THE HOUSE BETWEEN 2.5 - POPULATED'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-648674754740672038</id><published>2008-02-22T16:39:00.002-05:00</published><updated>2008-02-22T16:41:34.638-05:00</updated><title type='text'>THE HOUSE BETWEEN 2.4 - ESTRANGED</title><summary type='text'> Episode four of season two directly continues a story arc from the previous episode.  The fragile ecosystem of the house is damaged by the obsessive vision quests of contemporary science and the military-industrial complex.  More monsters!  More fighting!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/648674754740672038/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=648674754740672038' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/648674754740672038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/648674754740672038'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/02/house-between-24-estranged.html' title='THE HOUSE BETWEEN 2.4 - ESTRANGED'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1252157106189369054</id><published>2008-02-22T16:32:00.002-05:00</published><updated>2008-02-22T16:36:08.540-05:00</updated><title type='text'>THE HOUSE BETWEEN 2.3 - REUNITED</title><summary type='text'> Sorry to have to play "catch up."  This is the third episode of season two of The House Between.  Includes a new character, a thickened plot, and my debut in the series as an actor.  See if you can spot me!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1252157106189369054/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1252157106189369054' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1252157106189369054'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1252157106189369054'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/02/house-between-23-reunited.html' title='THE HOUSE BETWEEN 2.3 - REUNITED'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-465206827897700282</id><published>2008-02-02T11:13:00.000-05:00</published><updated>2008-02-02T11:15:49.036-05:00</updated><title type='text'>THE HOUSE BETWEEN 2.2 - SEPARATED</title><summary type='text'> "Separated" abounds in existential crises and alternate realities in the grand tradition of dramatic sci-fi.  See tempers flair, true colors come through, and lives forever changed in this installment of the internet's best microdrama.  A good counterpoint to the highly commercial scene of Super Bowl weekend!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/465206827897700282/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=465206827897700282' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/465206827897700282'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/465206827897700282'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/02/house-between-22-separated.html' title='THE HOUSE BETWEEN 2.2 - SEPARATED'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2836855570594820922</id><published>2008-01-26T20:17:00.000-05:00</published><updated>2008-01-26T20:20:03.503-05:00</updated><title type='text'>THE HOUSE BETWEEN 2.1 - "RETURNED"</title><summary type='text'> This is the first episode of Season 2 of "The House Between."  I poured a good deal of my blood, sweat, and tears into the production of this series.  Over something like 80 hours, I worked as a production assistant, lighting designer, script consultant, and even moonlighted as an actor (in later episodes) and camera operator.Visit the official site at http://www.thehousebetween.com!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2836855570594820922/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2836855570594820922' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2836855570594820922'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2836855570594820922'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/01/house-between-21-returned.html' title='THE HOUSE BETWEEN 2.1 - &quot;RETURNED&quot;'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-373912371060114120</id><published>2008-01-10T17:37:00.000-05:00</published><updated>2008-01-10T17:52:47.454-05:00</updated><title type='text'>Robin Wood on DIARY OF THE DEAD</title><summary type='text'>Unlike many horror film fans and scholars, I have not been interested in the genre since childhood.  Many writers on the subject fondly (or disturbingly, given hindsight) recall their childhoods spent in front of the television watching FRANKENSTEIN films late on Saturday nights, reading FAMOUS MONSTERS OF FILMLAND and wishing that Halloween were everyday of the year.  While the candy was </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/373912371060114120/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=373912371060114120' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/373912371060114120'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/373912371060114120'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/01/robin-wood-on-diary-of-dead.html' title='Robin Wood on DIARY OF THE DEAD'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7492303656891994927</id><published>2008-01-02T16:43:00.000-05:00</published><updated>2008-01-02T17:08:56.851-05:00</updated><title type='text'>End of the Year Round-Up</title><summary type='text'>Despite the occasional slowdowns and stoppages, 2007 was a good, productive year.  As it draws to a close, check out the VF end-of-the-year round-up (not nearly enough hyphens!).  Point your browser to this link.2008 promises to be an even bigger year than 2007.  Season two of The House Between goes live next month.  A new issue of The Modest Proposal will launch by Feb.  GameCulture Journal </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7492303656891994927/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7492303656891994927' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7492303656891994927'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7492303656891994927'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2008/01/end-of-year-round-up.html' title='End of the Year Round-Up'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-8629032485601730558</id><published>2007-12-11T01:07:00.000-05:00</published><updated>2007-12-12T01:42:47.771-05:00</updated><title type='text'>LITERATURE AND FILM ASSOCIATION 2007 - CONFERENCE REPORT</title><summary type='text'>Back in October, I participated in the annual Literature and Film Association conference (the organization linked-to-but-separate-from Literature/Film Quarterly) in Lawrence, KS.  Interested parties can take a look at the proceedings here, courtesy of Jim Welsh.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/8629032485601730558/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=8629032485601730558' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8629032485601730558'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8629032485601730558'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/12/film-and-literature-association-2007.html' title='LITERATURE AND FILM ASSOCIATION 2007 - CONFERENCE REPORT'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-990943236476866716</id><published>2007-12-09T16:25:00.000-05:00</published><updated>2007-12-09T16:47:19.440-05:00</updated><title type='text'>Review of "LANDSCAPES FROM THE AGE OF IMPRESSIONISM" at NCMA</title><summary type='text'>The North Carolina Museum of Art is currently exhibiting "Landscapes from the Age of Impressionism," a collection of 40 some-odd French and American proto-Impressionist and Impressionist works from the Brooklyn Museum.  This is as close to a "blockbuster" exhibition as the NCMA is likely to get (the paintings have already been at the Ringling Museum in Sarasota, FL) and it lasts until January 13,</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/990943236476866716/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=990943236476866716' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/990943236476866716'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/990943236476866716'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/12/review-of-landscapes-from-age-of.html' title='Review of &quot;LANDSCAPES FROM THE AGE OF IMPRESSIONISM&quot; at NCMA'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6079059585838618839</id><published>2007-11-21T12:22:00.000-05:00</published><updated>2007-11-21T12:58:33.707-05:00</updated><title type='text'>LITERACY</title><summary type='text'>A recent National Endowment for the Humanities report confirms what I have suspected for a long time - pleasure reading is down, book ownership is down, and childhood access to books is down.  Even parents with "proper" education do not own books or provide them for their children.  This New York Times article links these precipitous declines with poorer performance on reading tests by students </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6079059585838618839/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6079059585838618839' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6079059585838618839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6079059585838618839'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/11/literacy.html' title='LITERACY'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/R0RqwMh21VI/AAAAAAAAAEc/886zYS_gN0w/s72-c/literacy1.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-8135825417078309940</id><published>2007-11-11T23:35:00.000-05:00</published><updated>2007-11-11T23:43:09.407-05:00</updated><title type='text'>On CASTLEVANIA</title><summary type='text'>Virtual Fools is pretty much reconstituted after several months of limbo (lost files + server woes = frustration).  Bobby has been beefing up the site for a while but I just had the chance to start writing for it, which will become a more general pursuit, time permitting. Anyway, I wrote this article on the Castlevania game series. </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/8135825417078309940/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=8135825417078309940' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8135825417078309940'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8135825417078309940'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/11/on-castlevania.html' title='On CASTLEVANIA'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2387898670139278873</id><published>2007-11-05T22:53:00.000-05:00</published><updated>2007-11-05T23:05:59.434-05:00</updated><title type='text'>THE MODEST PROPOSAL</title><summary type='text'>I would like to announce the coming-to-fruition of what has long lingered as an unrealized "pet project" - The Modest Proposal.Born out of collective will and a devotion to multi-disciplinary reading, TMP hopes to intellectually engage the general reader in areas of contemporary interest.Enjoy our send-up to the lively art of the book review, read our opinion essay, and keep checking the blog (it</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2387898670139278873/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2387898670139278873' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2387898670139278873'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2387898670139278873'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/11/modest-proposal.html' title='THE MODEST PROPOSAL'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1375603422883340470</id><published>2007-11-03T00:41:00.000-04:00</published><updated>2007-11-03T00:58:52.712-04:00</updated><title type='text'>Outsider Art you can Wear</title><summary type='text'>There is a wild and woolly world of specialist t-shirt presses on the internet.  Any/all tastes are catered to...for example, Threadless manages the DIY vogue, the more commercialized 80s Tees is a brash nostalgia merchant, and Rotten Cotton hits the Goth crowd with blood, guts, gore, and skimpy models.  However, the real champion right now (as far as I am concerned) is Strange Vice, a </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1375603422883340470/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1375603422883340470' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1375603422883340470'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1375603422883340470'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/11/outsider-art-you-can-wear.html' title='Outsider Art you can Wear'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-8887096290423056770</id><published>2007-10-21T17:30:00.000-04:00</published><updated>2007-10-21T18:01:30.830-04:00</updated><title type='text'>Onward to Halloween</title><summary type='text'>Most years I find myself in the Halloween spirit toward the end of September.  Recently acquired DVDs, pervasive candy, and idle chatter about costumes make it all but inevitable.  Owing to an especially busy month, though, this year is a little bit different.  I have not had my usual dose of horror, will be in class during All Hallow's proper, and don't have any real excuses to do anything but </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/8887096290423056770/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=8887096290423056770' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8887096290423056770'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8887096290423056770'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/10/onward-to-halloween.html' title='Onward to Halloween'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-3492257511013358476</id><published>2007-09-29T16:53:00.001-04:00</published><updated>2007-09-29T16:57:28.769-04:00</updated><title type='text'>SOME NEW PENGUINS</title><summary type='text'>For whatever reason, I've had decent luck in finding some nice Penguin books from what I consider to be their design heyday.  It does not hurt that the books themselves interest me and might be useful on upcoming projects!  Note especially the awesome cover to the MERITOCRACY book.On the Greeks:The best part - for collectors in my area, at least - is that booksellers seem to be swimming in these </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/3492257511013358476/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=3492257511013358476' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3492257511013358476'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3492257511013358476'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/09/some-new-penguins.html' title='SOME NEW PENGUINS'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/Rv67mtjGhWI/AAAAAAAAAEM/ETnKvISuPe4/s72-c/newpenguins1.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6260959579080771830</id><published>2007-09-27T20:16:00.001-04:00</published><updated>2007-09-27T20:30:07.138-04:00</updated><title type='text'>The Weirdest of Lon Chaney</title><summary type='text'>I had the pleasure of recently watching a Lon Chaney film that had always escaped ready grasp...THE UNKNOWN (1927).  A short feature from the sound era, the film concerns Alonzo (Chaney), an apparently armless man who performs circus tricks.  He loves Nanon (a young Joan Crawford), a young gypsy waif who has a totally "normal" save for her otherworldly fear of men's arms and hands.  That is right</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6260959579080771830/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6260959579080771830' title='3 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6260959579080771830'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6260959579080771830'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/09/weirdest-of-lon-chaney.html' title='The Weirdest of Lon Chaney'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>3</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7152586007434325242</id><published>2007-09-01T10:17:00.000-04:00</published><updated>2007-09-01T10:30:33.534-04:00</updated><title type='text'>Whither the publisher?</title><summary type='text'>I occasionally browse for stories related to the current state of the publishing industry.  As someone who is interested in books as "things" (see my last post) and as somebody who writes on fairly niche topics, I find it important to keep abreast with what one's favorite publishers do.  But as this blogger keenly points out, most people simply don't care or even notice.  For many consumers, the </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7152586007434325242/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7152586007434325242' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7152586007434325242'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7152586007434325242'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/09/whither-publisher.html' title='Whither the publisher?'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-419276324569804249</id><published>2007-08-13T12:22:00.000-04:00</published><updated>2007-08-13T12:57:17.642-04:00</updated><title type='text'>THE PENGUIN COLLECTORS</title><summary type='text'>Books, not birds.Penguin books is still a publishing company today, but their historical importance is often taken for granted.  Founded by Allen Lane in 1935, Penguin (and later its imprints like Pelican, Puffin, and Peacock...notice a trend?) sought to bring interesting writing to a mass readership.  Originally priced the same as a pack of cigarettes, the company made it possible for nearly </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/419276324569804249/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=419276324569804249' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/419276324569804249'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/419276324569804249'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/08/penguin-collectors.html' title='THE PENGUIN COLLECTORS'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/RsCJEnrw7aI/AAAAAAAAADc/Y1ccN7n67oc/s72-c/DSCF0767.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-3431864015510245548</id><published>2007-08-01T19:54:00.000-04:00</published><updated>2007-08-02T03:30:36.515-04:00</updated><title type='text'>THE LAST OF THE HIGH MODERNISTS</title><summary type='text'>[Cover images are from monographs written by Robin Wood]"High modernist" film making does not directly or chronologically correspond to "high modernist" production in other arts.  European modernism - Cubism, Futurism, Vorticism, the list goes on - is generally said to have pinnacled in the 1920s, plunging into even more scattered pluralisms after World War II.  In visual art, George Grosz, Pablo</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/3431864015510245548/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=3431864015510245548' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3431864015510245548'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3431864015510245548'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/08/last-of-high-modernists.html' title='THE LAST OF THE HIGH MODERNISTS'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/__WLBUkfIPQ0/RrEerHrw7YI/AAAAAAAAADM/i6vqGyDUWNA/s72-c/bergmancover.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-3858575287367723781</id><published>2007-07-29T17:11:00.000-04:00</published><updated>2007-07-29T17:25:45.201-04:00</updated><title type='text'>A COMMUNICATIONS PRIMER</title><summary type='text'>This Charles and Ray Eames film pertains primarily to commercial graphic arts design, but is really pertinent to any type of visual communication.  The film itself is pretty amazing in its oscillation between straight-ahead documentary and cool experimental montage.  Check it out![The above link connects to a streaming mpeg4.  Other options are here.  The embedded video, below, may work depending</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/3858575287367723781/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=3858575287367723781' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3858575287367723781'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3858575287367723781'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/07/communications-primer.html' title='A COMMUNICATIONS PRIMER'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-148977646468464536</id><published>2007-07-24T17:12:00.000-04:00</published><updated>2007-07-24T17:28:08.777-04:00</updated><title type='text'>Discovering Lloyd McNeill</title><summary type='text'>The internet is most noteworthy as a place for amateur archeology.  Part of my leisure time is always consumed by discovering something (book, artist, architect, musician, game designer, the list is endless) and then scouring the public domain for information about said person or topic.  While much of the search inevitably leads back to the market place - after all, advertising revenue runs the </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/148977646468464536/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=148977646468464536' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/148977646468464536'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/148977646468464536'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/07/discovering-lloyd-mcneill.html' title='Discovering Lloyd McNeill'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7236349574515653854</id><published>2007-07-18T12:16:00.001-04:00</published><updated>2007-07-18T12:37:39.565-04:00</updated><title type='text'>Where Design and Theory Meet</title><summary type='text'>Archinect (http://www.archinect.com - "Making Architecture More Connected Since 1997) is a unique site.  A very unique site, in fact.  It is a community hub for architects and designers (and architecture students and design students).  It has one foot planted firmly in the job market, one foot in academia, and a third foot (!) planted in some obscure space for interested parties who are </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7236349574515653854/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7236349574515653854' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7236349574515653854'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7236349574515653854'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/07/where-design-and-theory-meet.html' title='Where Design and Theory Meet'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/Rp5ANkgIAeI/AAAAAAAAAC8/SfOMI8ilrBI/s72-c/logo.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7213364024812570561</id><published>2007-07-08T00:15:00.000-04:00</published><updated>2007-07-08T00:44:35.128-04:00</updated><title type='text'>FILM REVIEW: FEAR OF FEAR (1975)</title><summary type='text'>Fear of Fear, 1975Rainer Werner FassbinderR1 DVD from WellspringFear of Fear is an underspoken moodpiece very much unlike anything produced today.  Neither hyper "stylish" nor slavishly naturalistic, it is indicative of the serious, ambiguous concerns of the New German Cinema.Margot (Margit Christensen) is a young, slender, pretty, pregnant and bored housewife.  Husband Kurt (Ulrich Faulhaber) is</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7213364024812570561/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7213364024812570561' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7213364024812570561'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7213364024812570561'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/07/film-review-fear-of-fear-1975.html' title='FILM REVIEW: FEAR OF FEAR (1975)'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/__WLBUkfIPQ0/RpBnNuH3LgI/AAAAAAAAAC0/1a_Jsh88QhE/s72-c/fearoffear.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-809552391554306605</id><published>2007-06-22T12:10:00.000-04:00</published><updated>2007-06-22T12:25:54.268-04:00</updated><title type='text'>The Value of Artwork</title><summary type='text'>Professional artists have to inflate their prices in order to make a living.  While materials are/can be expensive - in anything from painting to large public sculpture - time is the real premium.  Most artists have a two-faced relationship with our age of plurality.  On the one had, they benefit from the themes, energy, and new territory that pluralism bring.  Multicultural thought, </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/809552391554306605/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=809552391554306605' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/809552391554306605'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/809552391554306605'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/06/value-of-artwork.html' title='The Value of Artwork'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-545391813482658839</id><published>2007-06-05T13:01:00.000-04:00</published><updated>2007-06-05T13:18:12.139-04:00</updated><title type='text'>Works on Paper at the National Gallery, D.C.</title><summary type='text'>Any public arts institution like the National Gallery in Washington, D.C. will constantly shift its exhibitions, a practice which pleases the patrons, curators, and donors.  Armed with cultural cachet and deep pockets, this particular art-space is able to show nearly anything it wants.  Realizing that I've not paid visit in a few months, I'd like to draw attention to a series of showcases that </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/545391813482658839/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=545391813482658839' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/545391813482658839'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/545391813482658839'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/06/works-on-paper-at-national-gallery-dc.html' title='Works on Paper at the National Gallery, D.C.'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2503804880766032904</id><published>2007-05-22T14:38:00.000-04:00</published><updated>2007-05-22T15:30:56.088-04:00</updated><title type='text'>Book Review: HORROR FILMS OF THE 1980S</title><summary type='text'>Horror Films of the 1980sJohn Kenneth MuirMcFarland Publishers, 2007$59.95http://www.mcfarlandpub.comAlso, order at: 800-253-2187Horror film genre publication has historically been dominated by nostalgic, appreciative writings about the so-called "Golden Age," a malleable distinction that has grown and shrunk over the years.  Likewise, academic writing about horror films has centered </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2503804880766032904/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2503804880766032904' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2503804880766032904'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2503804880766032904'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/05/book-review-horror-films-of-1980s.html' title='Book Review: HORROR FILMS OF THE 1980S'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/RlM5eZmANSI/AAAAAAAAACs/zbSZhPoFL4M/s72-c/horror1980s.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-677608493903895762</id><published>2007-05-17T15:19:00.000-04:00</published><updated>2007-05-17T15:43:53.424-04:00</updated><title type='text'>Optimism for American Arts Funding</title><summary type='text'>The "arts" (here used primarily for works of performance, film, and installation, though also applicable to the more traditional plastic arts) in America are funded by a combination of public and private money.  Most of this money is privately controlled.  Rich individuals, personal endowments, individual legacy grants (the Kenan Fund, for example), and corporations in search of a beneficial </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/677608493903895762/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=677608493903895762' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/677608493903895762'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/677608493903895762'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/05/optimism-for-american-arts-funding.html' title='Optimism for American Arts Funding'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-8568650500541150209</id><published>2007-05-07T15:23:00.000-04:00</published><updated>2007-05-07T16:11:54.197-04:00</updated><title type='text'>Writing about Buildings: Nikolaus Pevsner, Part II</title><summary type='text'>Nikolaus Pevsner remains known to us because of his life in publishing.  Many architects publish works of theory and history as a compliment to their building careers.  Famously, Robert Venturi and his retinue were able to muster support for their brand of what was to become known as postmodernism by way of their lauded study Learning From Las Vegas (1972, subsequently revised). Pevsner was not a</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/8568650500541150209/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=8568650500541150209' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8568650500541150209'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/8568650500541150209'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/05/writing-about-buildings-nikolaus.html' title='Writing about Buildings: Nikolaus Pevsner, Part II'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/__WLBUkfIPQ0/Rj99IiNgemI/AAAAAAAAACc/mVjkSSf0Qbc/s72-c/DSCF0753.JPG' height='72' width='72'/><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2768389306042875116</id><published>2007-04-27T03:41:00.000-04:00</published><updated>2007-04-28T12:40:04.851-04:00</updated><title type='text'>GAMECULTURE JOURNAL - Vol. 1, No. 3</title><summary type='text'>GameCulture Journal Vol. 1, No. 3 - Now available for download at http://www.gameculturejournal.com.Enjoy!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2768389306042875116/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2768389306042875116' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2768389306042875116'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2768389306042875116'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/04/gameculture-journal-vol-1-no-3.html' title='GAMECULTURE JOURNAL - Vol. 1, No. 3'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2490723970567998239</id><published>2007-04-22T16:40:00.000-04:00</published><updated>2007-04-22T17:21:09.244-04:00</updated><title type='text'>Remembering a Giant of Architecture: Nikolaus Pevsner, Part 1</title><summary type='text'>The study of architecture is a rare bird, requiring a bizarre, hybrid knowledge of painting, vernacular design, engineering, history, historiography, and more.  If art history is itself a relatively young discipline, than architectural studies is itself a spring chick.  Men and women have been building, designing, and destroying buildings for millennia, yet they have not been systematically </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2490723970567998239/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2490723970567998239' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2490723970567998239'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2490723970567998239'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/04/remembering-giant-of-architecture.html' title='Remembering a Giant of Architecture: Nikolaus Pevsner, Part 1'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2709136645437841301</id><published>2007-04-18T17:17:00.000-04:00</published><updated>2007-04-18T17:37:41.512-04:00</updated><title type='text'>BOOK REVIEW: ANDY WARHOL</title><summary type='text'>Andy Warhol - Penguin LivesWayne KoestenbaumPenguin Lives, Lipper/Viking ~ 2001$21.95Warhol is one of the most written-about artists of the 20th century.  Though viewed more a curiosity during his life than a figure of reverence, he has attained supra-mythical status over the last 20 years.  His "pop" attitudes permeate all of Western culture, while the vapid reproducibility and clinical </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2709136645437841301/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2709136645437841301' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2709136645437841301'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2709136645437841301'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/04/book-review-andy-warhol.html' title='BOOK REVIEW: ANDY WARHOL'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/RiaO5Ok8h-I/AAAAAAAAACM/Bjs6l8BZwi8/s72-c/warhol.jpeg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7069491122554086038</id><published>2007-04-11T13:42:00.000-04:00</published><updated>2007-04-11T13:57:23.252-04:00</updated><title type='text'>Some Thoughts</title><summary type='text'>Just a few thoughts - each, I think, are symptomatic of bigger problems facing our world, or are concerns somewhat specific to this blog.1)  Patrons "not understanding" that GRINDHOUSE is the name of a "double-feature" film program comprising Planet Terror and Death-Proof.  What is there not to understand?  Did any of them look at the poster?  Is the concept of the "double-feature" now so </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7069491122554086038/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7069491122554086038' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7069491122554086038'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7069491122554086038'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/04/some-thoughts.html' title='Some Thoughts'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1344017936781020081</id><published>2007-04-01T13:04:00.000-04:00</published><updated>2007-04-01T13:26:39.712-04:00</updated><title type='text'>Back-Catalog Raiding on eMusic</title><summary type='text'>As far as online music services go, eMusic.com is a venerable granddaddy.  It has been around for a number of years and has acted as a showcase for "independent" musicians of various pedigrees, across many genres.  Patrons to eMusic pay a monthly sum for a set number of downloads, which yields them DRM-free tracks that are permanently owned and are playable on nearly any mp3 or media player.  The</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1344017936781020081/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1344017936781020081' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1344017936781020081'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1344017936781020081'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/04/back-catalog-raiding-on-emusic.html' title='Back-Catalog Raiding on eMusic'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7526696922703755323</id><published>2007-03-19T13:13:00.000-04:00</published><updated>2007-03-19T13:30:13.556-04:00</updated><title type='text'>Publisher Spotlight: Intellect Books</title><summary type='text'>Intellect BooksBristol, United Kingdom"Publishers of Original Thinking."Though now more than 20 years old, Intellect Books has made recent inroads to redefining how academic books are made and sold.  Intellect publishers works in a broad range, all with scholarly verve to spare...the more uncategorizable the better.  One of their proud claims is that they take chances on publishing bold, original</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7526696922703755323/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7526696922703755323' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7526696922703755323'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7526696922703755323'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/03/publisher-spotlight-intellect-books.html' title='Publisher Spotlight: Intellect Books'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/Rf7FIIKofbI/AAAAAAAAACE/JAlW9N8cW7U/s72-c/issue4.gif' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-4320732053462987340</id><published>2007-03-19T00:38:00.000-04:00</published><updated>2007-03-19T00:59:26.655-04:00</updated><title type='text'>Begging Y'er Pardon</title><summary type='text'>I must account for my recent absence...first on the academic front.  Just over a week ago, I attended the Society for Cinema and Media Studies conference in Chicago, IL.  My work "Alex Cox's Three Businessmen: Transnational Anxieties in the Postmodern City," was well-received and marginally well-attended.  Though the audience was unfamiliar with the film, I'm confident that at least a few more </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/4320732053462987340/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=4320732053462987340' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4320732053462987340'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4320732053462987340'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/03/begging-yer-pardon.html' title='Begging Y&apos;er Pardon'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1431976965427210390</id><published>2007-03-06T12:05:00.000-05:00</published><updated>2007-03-06T12:07:53.181-05:00</updated><title type='text'>THE HOUSE BETWEEN - "SETTLED"</title><summary type='text'>Episode 2 of THE HOUSE BETWEEN is now available at the show's site.  "Settled" is probably the longest episode...it covers the most "material" and really tells the viewer a lot about the characters.Enjoy!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1431976965427210390/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1431976965427210390' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1431976965427210390'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1431976965427210390'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/03/house-between-settled.html' title='THE HOUSE BETWEEN - &quot;SETTLED&quot;'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6357542274485750447</id><published>2007-02-25T23:04:00.000-05:00</published><updated>2007-02-25T23:18:21.813-05:00</updated><title type='text'>Art Film at the Academy Awards</title><summary type='text'>Is it just me or are "art films" getting a good deal of airplay at this year's Academy Awards?  Usually "Oscar winner" translates to "blandly palatable" - most of the awards go to well-crafted, often brazenly benign, bourgeois movies, and seldom ever to daring, transgressive (or even innovative) works.  This ceremony has placed a good deal of acknowledgment onto the art films of the past.  The </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6357542274485750447/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6357542274485750447' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6357542274485750447'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6357542274485750447'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/02/art-film-at-academy-awards.html' title='Art Film at the Academy Awards'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-3124751784533206654</id><published>2007-02-16T13:20:00.000-05:00</published><updated>2007-02-16T13:22:21.967-05:00</updated><title type='text'>THE HOUSE BETWEEN - ARRIVED</title><summary type='text'>The first episode of THE HOUSE BETWEEN, John Kenneth Muir's original sci-fi series, is now available online.  Visit the official website to watch!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/3124751784533206654/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=3124751784533206654' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3124751784533206654'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3124751784533206654'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/02/house-between-arrived.html' title='THE HOUSE BETWEEN - ARRIVED'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6521502577542116235</id><published>2007-02-14T14:24:00.000-05:00</published><updated>2007-02-14T15:08:21.546-05:00</updated><title type='text'>The Aesthetic Ramifications of YouTube</title><summary type='text'>Moving images have undergone multiple "revolutions" that redefine the experience of watching.  Media changes (magic lanterns to film to video to digital) simultaneous with peripheral concerns (to watch a film means to hear its projection, splice reels, and feel the heat of the projector's lamp).  On top of this, stylistic concerns often change with innovations or alterations in media.  The </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6521502577542116235/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6521502577542116235' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6521502577542116235'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6521502577542116235'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/02/aesthetic-ramifications-of-youtube.html' title='The Aesthetic Ramifications of YouTube'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-5641558542653772872</id><published>2007-02-06T13:26:00.000-05:00</published><updated>2007-02-06T13:46:50.412-05:00</updated><title type='text'>The Overwhelming Library</title><summary type='text'>Forgive the vague title of this post.   I am in a bit of a bind.  As I've mentioned before, I have a lot of books.  They are a great source of pride and amusement to me, and I dare attribute my successes in scholarship to them.  The largest sections in my personal library are devoted to film and art, but that is not to say that I don't have many volumes of literature, science fiction, or drama.  </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/5641558542653772872/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=5641558542653772872' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5641558542653772872'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5641558542653772872'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/02/overwhelming-library.html' title='The Overwhelming Library'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-192436846566413221</id><published>2007-01-22T12:21:00.000-05:00</published><updated>2007-01-22T12:52:08.613-05:00</updated><title type='text'>Book Review: THE GATEKEEPER by Terry Eagleton</title><summary type='text'>The Gatekeeper: A MemoirTerry EagletonSt. Martin's/Griffen$12.95 Trade PaperbackI have been reading a good deal of Terry Eagleton's work lately.  My first exposure to him (as with thousands of others) was through Literary Theory: An Introduction, which remains the standard text for making sense of the confusing world of literary study.  Many of the key elements of subsequent Eagleton books are </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/192436846566413221/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=192436846566413221' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/192436846566413221'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/192436846566413221'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/01/book-review-gatekeeper-by-terry.html' title='Book Review: THE GATEKEEPER by Terry Eagleton'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/__WLBUkfIPQ0/RbT5oqdn8ZI/AAAAAAAAABo/cDIlcPUoka8/s72-c/gatekeeper.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7303610671248449129</id><published>2007-01-17T00:28:00.000-05:00</published><updated>2007-01-17T00:51:26.958-05:00</updated><title type='text'>Can Artists and Critics be Friends?</title><summary type='text'>This can of worms has been opened before, but I finally feel capable of talking about it.  Recent storm surges in the contemporary art market have yielded a flurry of "too good to be true" writings about the arts world today.  Renowned critics from The Guardian have started blogging, and their increased output has had a visible effect on the amount of arts writing that circulates.   Since London </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7303610671248449129/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7303610671248449129' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7303610671248449129'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7303610671248449129'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/01/can-artists-and-critics-be-friends.html' title='Can Artists and Critics be Friends?'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1601986041392664797</id><published>2007-01-12T16:03:00.000-05:00</published><updated>2007-01-12T16:08:36.314-05:00</updated><title type='text'>THE HOUSE BETWEEN - TEASER/TRAILER</title><summary type='text'>This summer, I worked as a production assistant and lighting co-director for an independent television show called The House Between.  Director John Kenneth Muir has released an internet-exclusive teaser/trailer for the series.See his January 12th, 2007 post for more information!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1601986041392664797/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1601986041392664797' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1601986041392664797'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1601986041392664797'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/01/house-between-teasertrailer.html' title='THE HOUSE BETWEEN - TEASER/TRAILER'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-618082853246406923</id><published>2007-01-08T14:29:00.000-05:00</published><updated>2007-01-16T16:42:19.517-05:00</updated><title type='text'>Zine Scene: A Quick, New Round-Up</title><summary type='text'>Here is a quick selection of three different zines I've encountered in the last few weeks.  One is brand new and the others go back a bit, but they each deserve mention.Amish Otaku # 1Edited by Dan AllenAmish Otaku, as the name implies, is a review zine out of Central Pennsylvania.  Laid out as a news periodical, it is packed wall-to-wall with columns, reviews, and op-eds on more recent video </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/618082853246406923/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=618082853246406923' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/618082853246406923'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/618082853246406923'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/01/zine-scene-quick-new-round-up.html' title='Zine Scene: A Quick, New Round-Up'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/__WLBUkfIPQ0/RaKfDiv7KMI/AAAAAAAAAA8/XeFCyQ_U_Ec/s72-c/zineamishotaku.JPG' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-5135789881795901547</id><published>2007-01-02T10:35:00.000-05:00</published><updated>2007-01-02T17:32:45.999-05:00</updated><title type='text'>The New Public Library: Great Works or Popular Preference?</title><summary type='text'>Wisdom is the principal thing:therefore get wisdom:and with all thy gettingget understanding.- Proverbs IX 7.The above axiom appears somewhat ironically in Lindsay Anderson's films The White Bus (1967) and if.... (1968), as with here.  I would like to first go on record by saying that I wholeheartedly support public libraries, but generally hold them to a high standard.  As a playground for young</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/5135789881795901547/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=5135789881795901547' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5135789881795901547'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/5135789881795901547'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2007/01/new-public-library-great-works-or.html' title='The New Public Library: Great Works or Popular Preference?'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-3492687219589247639</id><published>2006-12-24T15:46:00.000-05:00</published><updated>2006-12-24T15:51:33.401-05:00</updated><title type='text'>Christmas and Visual Culture</title><summary type='text'>I am sure that we are all quite tired of the normal Christmas iconography by this point (Santa, elves, dollar signs, etc).  Here is a less recognizable image by Phiz that appeared as an illustration to Charles Dickens' Pickwick Papers.  Merry Christmas!</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/3492687219589247639/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=3492687219589247639' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3492687219589247639'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/3492687219589247639'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/12/christmas-and-visual-culture.html' title='Christmas and Visual Culture'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://3.bp.blogspot.com/__WLBUkfIPQ0/RY7oJuGI6aI/AAAAAAAAAAw/WH-hkjA3TeY/s72-c/pickwick+christmas.png' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-4313727189964190384</id><published>2006-12-13T15:21:00.000-05:00</published><updated>2006-12-13T15:41:04.071-05:00</updated><title type='text'>Zine Scene: Flicker Super 8 Guide, Volume 1</title><summary type='text'>Flicker Super 8 GuideVolume 1, 2003Distributed by Desert Moon PeriodicalsI've known about the "Flicker" phenomenon for a couple of years.  Super 8 film equipment is still relatively available, despite its age, and still more affordable of a medium than 16 mm.  Though Kodak still manufactures different types of stock (five different types, as of the zine's printing in 2003), there are no sound </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/4313727189964190384/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=4313727189964190384' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4313727189964190384'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4313727189964190384'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/12/zine-scene-flicker-super-8-guide-volume.html' title='Zine Scene: Flicker Super 8 Guide, Volume 1'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://1.bp.blogspot.com/__WLBUkfIPQ0/RYBiTkyUaFI/AAAAAAAAAAk/ojEE7JJNrJo/s72-c/flicker.JPG' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-7201973546992129710</id><published>2006-12-08T10:31:00.000-05:00</published><updated>2006-12-08T10:37:10.115-05:00</updated><title type='text'>What can be done with Contemporary Art?</title><summary type='text'>There has been a good deal of press in the last week about the new Institute of Contemporary Art in Boston. Initially thought to be dead in the water, an anomaly in an “artistically conservative” town, the building is being hailed as a significant architectural achievement and the promise of the collection poised for success.What makes a city “artistically conservative?” Washington D.C. makes for</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/7201973546992129710/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=7201973546992129710' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7201973546992129710'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/7201973546992129710'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/12/what-can-be-done-with-contemporary-art.html' title='What can be done with Contemporary Art?'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://2.bp.blogspot.com/__WLBUkfIPQ0/RXmF_9DLZTI/AAAAAAAAAAY/GhpMGS9HMC0/s72-c/concept.jpg' height='72' width='72'/><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-6122128635372395422</id><published>2006-12-03T15:22:00.000-05:00</published><updated>2006-12-03T15:47:36.796-05:00</updated><title type='text'>Book Review: THE TWILIGHT YEARS: PARIS IN THE 1930S</title><summary type='text'>The Twilight Years: Paris in the 1930sWilliam WiserCarroll &amp; Graf Publishers, 2001(Trade Paperback Reprint Edition)William Wiser is blessed with the gift of gab.  His prose bleeds style, force, and more than a little confusion.  Though primarily known as a novelist (K and Disappearances among them), he has a unique way with history.  This uniqueness is not entirely good - Wiser seems more </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/6122128635372395422/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=6122128635372395422' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6122128635372395422'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/6122128635372395422'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/12/book-review-twilight-years-paris-in.html' title='Book Review: THE TWILIGHT YEARS: PARIS IN THE 1930S'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><media:thumbnail xmlns:media='http://search.yahoo.com/mrss/' url='http://4.bp.blogspot.com/__WLBUkfIPQ0/RXMy6lIkQpI/AAAAAAAAAAM/U8fvZFwsEz0/s72-c/paris.jpg' height='72' width='72'/><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-4710471903786474686</id><published>2006-11-25T12:21:00.000-05:00</published><updated>2006-11-25T12:42:45.608-05:00</updated><title type='text'>Office Space</title><summary type='text'>What are your work habits like?   My "real" work takes up about 50 hours per week, in a cubicle that resides in a space that was not meant for offices.   The constant cold air, loud noises, and stream of passers-by makes it a tough place to get much done.   However, I always look forward to getting home and doing the sort of work that interests me.While much of my casual routine gets done on a </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/4710471903786474686/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=4710471903786474686' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4710471903786474686'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/4710471903786474686'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/11/office-space.html' title='Office Space'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-1887195374069843777</id><published>2006-11-19T21:58:00.000-05:00</published><updated>2006-11-19T22:07:31.541-05:00</updated><title type='text'>Announcing: GAMECULTURE JOURNAL</title><summary type='text'>GameCulture JournalVolume 1, Number 1.GameCulture Journal is a free PDF format video game periodical, to be published quarterly.  Seeking to bridge the gap between game academics and fan discourses, GameCulture Journal marries the approaches of the two in an attempt to bring intelligent criticism, comment, and assessment to video games.Volume 1, Number 1 contains articles on the ideology of the </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/1887195374069843777/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=1887195374069843777' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1887195374069843777'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/1887195374069843777'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/11/announcing-gameculture-journal.html' title='Announcing: GAMECULTURE JOURNAL'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-2347519346931862215</id><published>2006-11-14T16:23:00.000-05:00</published><updated>2006-11-14T16:25:49.863-05:00</updated><title type='text'>Cataloging and Access in Britain</title><summary type='text'>An alarming, baffling, and very interesting November 9th article from The Art Newspaper informs that a large number of publicly owned paintings in Britain are in danger of slipping through the cracks.  Most organizations with pictures (libraries, town halls, etc) had dodgy, sometimes totally incomplete records of their works.  Most did not have an adequate visual record (let alone an updated, </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/2347519346931862215/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=2347519346931862215' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2347519346931862215'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/2347519346931862215'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/11/cataloging-and-access-in-britain.html' title='Cataloging and Access in Britain'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-116311088393142482</id><published>2006-11-09T17:20:00.000-05:00</published><updated>2006-11-11T01:33:19.023-05:00</updated><title type='text'>Concert Review: Sangam 11/08/06</title><summary type='text'>Sangam11/08/06Coolidge Theater, Library of Congress, Washington, D.C.Charles Lloyd – flute, sax, piano, percussionZakir Hussain – tabla, vocals, percussionErik Harland – drums, vocals, pianoSeeing as concert in the Coolidge Theater is a bit of a bizarre experience.  The room is obviously multipurpose, seemingly more geared toward lecture tours and archival film screenings than live music.  The </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/116311088393142482/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=116311088393142482' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116311088393142482'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116311088393142482'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/11/concert-review-sangam-110806.html' title='Concert Review: Sangam 11/08/06'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-116243969527890082</id><published>2006-11-01T22:50:00.000-05:00</published><updated>2006-11-11T01:33:18.685-05:00</updated><title type='text'>QOTW: Writing and Urgency</title><summary type='text'>"The reader of these pages should not look for detailed documentation of every word.  In treating the general problems of culture one is constantly obliged to undertake predatory incursions into provinces not sufficently explored by the raider himself.  To fill in all the gaps in my knowledge beforehand was out of the question for me.  I had to write now, or not at all.  And I wanted to write."</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/116243969527890082/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=116243969527890082' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116243969527890082'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116243969527890082'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/11/qotw-writing-and-urgency.html' title='QOTW: Writing and Urgency'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-116226677634820699</id><published>2006-10-30T21:59:00.000-05:00</published><updated>2006-11-11T01:33:18.347-05:00</updated><title type='text'>Book Review - LONDON: PORTRAIT OF A CITY</title><summary type='text'>London: Portrait of a CityPhaidon, 1999 (New Edition)$9.99Photos by Matthew WeinrebCommentary by Ben Weinreb(This review refers to the softcover, smaller, newer version of Weinreb's London Architecture: Features and Facades)London is a city of famous architecture.  Each year, the city's tourist industries produce "new" calenders, posters, and postcards that endlessly re-use the same images of the</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/116226677634820699/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=116226677634820699' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116226677634820699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116226677634820699'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/10/book-review-london-portrait-of-city.html' title='Book Review - LONDON: PORTRAIT OF A CITY'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-116165625016667162</id><published>2006-10-23T22:00:00.000-04:00</published><updated>2006-11-11T01:33:18.096-05:00</updated><title type='text'>Copyright Liberation</title><summary type='text'>I do not normally frequent Slashdot, but this managed to capture my imagination.  Given the chance, clearance, and choice, which items currently under copyright could be liberated for the benefit of all?  The possibilities are vast - just look at the number of comments that follow the post - but some programs seem better than others.One sad fact is that some of the most important pieces of </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/116165625016667162/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=116165625016667162' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116165625016667162'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116165625016667162'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/10/copyright-liberation.html' title='Copyright Liberation'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-116060984935272545</id><published>2006-10-11T19:24:00.000-04:00</published><updated>2006-11-11T01:33:17.723-05:00</updated><title type='text'>'Tis the Season...</title><summary type='text'>...for horror movie marathons! Cinema 16 founder Amos Vogel often spoke of the dialectical (or dialogical) power of film programming.  Just as film components (shots, scenes) could be rhytmically alternated to create aesthetic effects, so too could whole films.  For example, programming Vertov's Man with the Movie Camera just before Antonioni's Blowup does something to each film...the former </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/116060984935272545/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=116060984935272545' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116060984935272545'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/116060984935272545'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/10/tis-season.html' title='&apos;Tis the Season...'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115964568715538906</id><published>2006-09-30T14:42:00.000-04:00</published><updated>2006-11-11T01:33:17.414-05:00</updated><title type='text'>Zine Scene: Bread and Salt: A Zine of Food History</title><summary type='text'> Bread and Salt: A Zine of Food HistoryNumber 3 - Summer 2006The brainchild of Tim Miller, Bread and Salt is one of the most readable, thoughtful zines I've ever stumbled across.  Unassumingly bound inside a sheet of blue paper, it combines thoughtful criticism and history with fascinating illustrative material of food and food preparation throughout time.  Putting substance above style (many </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115964568715538906/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115964568715538906' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115964568715538906'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115964568715538906'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/09/zine-scene-bread-and-salt-zine-of-food.html' title='Zine Scene: Bread and Salt: A Zine of Food History'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115903860701962063</id><published>2006-09-23T14:50:00.000-04:00</published><updated>2006-11-11T01:33:17.160-05:00</updated><title type='text'>The MacArthur Fellows Program</title><summary type='text'>It is often hard to secure enough time and money for intellectual and aesthetic labor (case in point:  the slowed consistency of this blog).  One reason why academia is structured as such is that original research takes more energy than a simultaneous 9 -5 job will allow. The MacArthur Foundation recognizes this cruel reality but does something about it.   One cannot simply apply to be a </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115903860701962063/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115903860701962063' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115903860701962063'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115903860701962063'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/09/macarthur-fellows-program.html' title='The MacArthur Fellows Program'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115853297648552643</id><published>2006-09-17T18:26:00.000-04:00</published><updated>2006-11-11T01:33:16.832-05:00</updated><title type='text'>QOTW: Introductions, the Way the Were Meant to Be</title><summary type='text'>Whereunto (in your opinion) doth this little flourish of a preamble tend?  For so much as you, my good disciples, and some other jolly fools of ease  and leisure, reading the pleasant titles of some books of our invention, as  Gargantua, Pantagruel, Whippot (Fessepinte.), the Dignity of Codpieces, of  Pease and Bacon with a Commentary, &amp;c., are too ready to judge that there  is nothing in them </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115853297648552643/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115853297648552643' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115853297648552643'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115853297648552643'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/09/qotw-introductions-way-were-meant-to.html' title='QOTW: Introductions, the Way the Were Meant to Be'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115790451765508601</id><published>2006-09-10T11:51:00.000-04:00</published><updated>2006-11-11T01:33:16.526-05:00</updated><title type='text'>Book Review: EARLY MEDIEVAL EUROPE: THE IDEAL OF ROME AND FEUDALISM</title><summary type='text'> A History of Architecture, Volume 10Christopher TadgellEarly Medieval Europe: The Ideal of Rome and FeudalismEllipsis Books, 2001$15.00Christopher Tadgell's fascinating "A History of Architecture" series never quite made it (from what I can tell).  Originally projected as a 25 book set that traced the history of buildings from the earliest civilizations to the most post of postmodernism, it </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115790451765508601/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115790451765508601' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115790451765508601'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115790451765508601'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/09/book-review-early-medieval-europe.html' title='Book Review: EARLY MEDIEVAL EUROPE: THE IDEAL OF ROME AND FEUDALISM'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115767393761364542</id><published>2006-09-07T20:05:00.000-04:00</published><updated>2006-11-11T01:33:16.251-05:00</updated><title type='text'>QOTW: The Past</title><summary type='text'>In an environment governed by the market appeal of youth and novelty, the past has to be ignored, or misappropriated, generally misrepresented, to shore up the mainly excessive claims made on behalf of the present. But the present is also devalued in this process as it is lived as a present that is soon doomed to be past.- Victor Burgin</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115767393761364542/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115767393761364542' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115767393761364542'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115767393761364542'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/09/qotw-past.html' title='QOTW: The Past'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115714453228006441</id><published>2006-09-01T16:05:00.000-04:00</published><updated>2006-11-11T01:33:15.924-05:00</updated><title type='text'>Zine Scene: UBCinephile</title><summary type='text'>UBCinephile: The Film Studies Journal of the &lt;?xml:namespace prefix = st1 /&gt;University of British ColumbiaVolume 2: Theology &amp; the Political (March 2006)This is not strictly a zine, per se: UBCinephile is styled as an academic, peer-reviewed film journal. From what I can tell, it is produced once a year and resembles the DIY aesthetic of most zines, albeit with strictly scholarly content. Before </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115714453228006441/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115714453228006441' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115714453228006441'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115714453228006441'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/09/zine-scene-ubcinephile.html' title='Zine Scene: UBCinephile'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115705407898902597</id><published>2006-08-31T15:39:00.000-04:00</published><updated>2006-11-11T01:33:15.545-05:00</updated><title type='text'>Film Review: HENRI ROUSSEAU: JUNGLES IN PARIS</title><summary type='text'> (Right: Henri Rousseau, Self Portrait, 1895.  National Gallery of Art, Washington, D.C.)Herni Rousseau: Jungles in Paris, 2006. Directed, written and produced by Carroll Moore. Narrated by Kevin Kline.Made to accompany of traveling retrospective of Rousseau's career (especially his scenes of jungle fantasy), Moore's film does an admirable job at presenting the man's life and work in a scant 30 </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115705407898902597/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115705407898902597' title='2 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115705407898902597'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115705407898902597'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/08/film-review-henri-rousseau-jungles-in.html' title='Film Review: HENRI ROUSSEAU: JUNGLES IN PARIS'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>2</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115694840587683220</id><published>2006-08-30T10:32:00.000-04:00</published><updated>2006-11-11T01:33:15.265-05:00</updated><title type='text'>QOTW: Life</title><summary type='text'>I believe that the man choosing progress can find a new unity through the development of all his human forces, which are produced in three orientations. These can be presented separately or together: biophilia, love for humanity and nature, and independence and freedom.- Erich Fromm, 1965.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115694840587683220/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115694840587683220' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115694840587683220'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115694840587683220'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/08/qotw-life.html' title='QOTW: Life'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115629363447947920</id><published>2006-08-22T20:30:00.000-04:00</published><updated>2006-11-11T01:33:14.962-05:00</updated><title type='text'>Video Game Curatorship</title><summary type='text'>Art exhibitions have been curated on video games (as relics for a museum, historical curiosities, or as memorabilia), and gallery space has been allocated to art inspired by the legacy of video games.  But games themselves as portable exhibitions?  The future has already arrived.I recently purchased Taito Legends (2005) on a whim because of its discounted price.  I was not disappointed.  </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115629363447947920/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115629363447947920' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115629363447947920'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115629363447947920'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/08/video-game-curatorship.html' title='Video Game Curatorship'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115602247751477699</id><published>2006-08-19T17:00:00.000-04:00</published><updated>2006-11-11T01:33:14.734-05:00</updated><title type='text'>Zine Scene: THE LOWBROW READER</title><summary type='text'>This is a first attempt at an on-going look at zine culture. Wikipedia provides a nice overview of the history of the zine, available here. The Lowbrow Reader is an incredibly funny slice of oppositional thinking. While unquestionably a part of zine culture, it stands out by virtue of its high production values. Most of its contributors seem to have experience as professional writers, but the </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115602247751477699/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115602247751477699' title='1 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115602247751477699'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115602247751477699'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/08/zine-scene-lowbrow-reader.html' title='Zine Scene: THE LOWBROW READER'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>1</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115585790587699208</id><published>2006-08-17T19:37:00.000-04:00</published><updated>2006-11-11T01:33:13.899-05:00</updated><title type='text'>QOTW: Day of the Dead</title><summary type='text'>I suspect that the almost total incomprehension (more precisely, refusal of comprehension) with which Day of the Dead has been received is simply the result of its late date: by 1985 we had already entered the era of hysterical masculinity that countered the radical feminism of the '70s, Stallone and Schwarzenegger were already major presences, and the reactionary horror movie had already fully </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115585790587699208/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115585790587699208' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115585790587699208'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115585790587699208'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/08/qotw-day-of-dead.html' title='QOTW: Day of the Dead'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115541715106781526</id><published>2006-08-12T17:10:00.000-04:00</published><updated>2006-11-11T01:33:13.654-05:00</updated><title type='text'>Thoughts on Contemporary Horror</title><summary type='text'>A diagnosis of contemporary horror.  Just follow this link.</summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115541715106781526/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115541715106781526' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115541715106781526'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115541715106781526'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/08/thoughts-on-contemporary-horror.html' title='Thoughts on Contemporary Horror'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry><entry><id>tag:blogger.com,1999:blog-30935851.post-115534166267910484</id><published>2006-08-11T19:52:00.000-04:00</published><updated>2006-11-11T01:33:13.417-05:00</updated><title type='text'>A Salute to Taschen</title><summary type='text'>Art books are an expensive passion.  The fine paperstocks, copious illustrations, and large formats usually mean shelling out the big bucks.  Astute readers may know that this is not always the case.I'm not talking about stealing, nor buying books used.  Rather, Taschen Books, one of the world's largest publishers of books on the arts, film, design, and popular culture.  The story of the company </summary><link rel='replies' type='application/atom+xml' href='http://notesonculture.blogspot.com/feeds/115534166267910484/comments/default' title='Post Comments'/><link rel='replies' type='text/html' href='http://www.blogger.com/comment.g?blogID=30935851&amp;postID=115534166267910484' title='0 Comments'/><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115534166267910484'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/30935851/posts/default/115534166267910484'/><link rel='alternate' type='text/html' href='http://notesonculture.blogspot.com/2006/08/salute-to-taschen.html' title='A Salute to Taschen'/><author><name>Kevin</name><uri>http://www.blogger.com/profile/14027317042801637354</uri><email>noreply@blogger.com</email><gd:image rel='http://schemas.google.com/g/2005#thumbnail' width='27' height='32' src='http://4.bp.blogspot.com/__WLBUkfIPQ0/SWqreDoz2sI/AAAAAAAAAGo/Oa5ABM2Pv_k/S220/ncmaxlogo.jpg'/></author><thr:total>0</thr:total></entry></feed>
